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Superunknown (1994)
alternately praised for bringing a face to the notoriously anonymous electronic genre and scorned by hordes of techno artists and fans for diluting and trivializing the form
horn-driven Memphis R&B tightly arranged by it's house bandleader
a soulful alt-pop embrace albeit less encumbered from the melancholic shackles of the past pursues this newfound road whilst providing the two writers and the band with their most cohesive album to date
the album cover shows a mass of humans reaching up mindlessly to the sky as glowing spaceships shaped like the Hypocrisy crosses sigil beam down to descend upon earthen civilizations and Mayan temples
Brmc ( Black Rebel Motorcycle Club ) - Specter At The Feast plush Superunknown (1994)Black Rebel Motorcycle Club's sixth album, Specter At The Feast (2013) ventures into diverse sonic territory, delivering one of the band's most ambitious offerings to date. It's an album of impossible dichotomies; opposing sounds amalgamate into a seamless, entirely coherent package, that rumbles with driving rhythms, and soars with skyward arcing guitar howls. Robert Been delivers growling bass grooves on "Hate the Taste," and Peter Hayes' guitar
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